Find the Best Photographers in Edmond

Son Kissed Photography relocated to Edmond after years of building a newborn photography practice in Tulsa, bringing an established, unhurried approach to her new OKC-metro clients. She built her reputation on posed, styled newborn sessions — the kind with wrapped fabric, soft baskets, and careful attention to a baby’s hands and feet — and continues that same style from her Edmond base today. Parents consistently mention her calm, patient demeanor in reviews, noting that she never rushes a fussy baby and always finds a way to get the shot without forcing it. Beyond newborns, she also photographs pregnancy portraits for expecting families and welcomes older siblings into a session when parents want a complete family portrait rather than just images of the baby alone. Her 5-star reputation, built over dozens of reviews, has carried over cleanly from Tulsa to her new Edmond clientele, and many of her bookings now come from local referrals rather than search alone. For families in Edmond and the surrounding OKC metro looking for a newborn photographer who has already spent years refining a signature style elsewhere, Son Kissed Photography offers that experience without the growing pains of a brand-new business. 

Corrie Graybill runs a newborn photography studio in downtown Edmond, and unlike most photographers who list newborns as one of several services, her business exists specifically around birth and newborn portraiture. Her session fee is refreshingly all-inclusive: every prop used in a session is handmade by Corrie herself, and the fully edited photos are included rather than sold back piecemeal as an upsell after the shoot. Her studio has built a genuine local following, with more than 6,000 people following her ongoing work on Facebook and a steady stream of new client sessions posted well into 2026 — evidence of a working studio still booking new families rather than a stale listing. One recent session captures a silhouette of two parents cradling their newborn in near-darkness, a technically difficult, low-light portrait style that takes real studio lighting skill to execute rather than a quick point-and-shoot approach. Because handmade props are part of every session, no two families end up with identical-looking portraits from a rented prop closet, which is a small but real point of difference in a market where many studios reuse the same wraps and baskets across dozens of sessions. For Edmond parents who want a specialist rather than a generalist, and who value original props over an assembly-line prop rotation, Corrie’s studio is a distinct option. 

Amber Borrell has spent more than twelve years building a portrait and wedding photography practice out of Edmond, where she’s lived and raised her three children as a single mom. What started as a decade-plus career loving couples in love turned into a real specialty in newborn and family sessions, and her site leads with the OKC Newborn Photographer label rather than treating babies as an afterthought to her wedding work. Amber describes herself as a light lover who chases bright, sunny days, and that preference shows up in the airy, sun-warmed tone of her newborn galleries. She’s candid about her own story — an Oklahoma girl born and raised, a mom of a 14, 9, and 6 year old, and someone who’s learned firsthand how fast infancy slips by once the hustle of daily life takes over. That perspective feeds directly into how she runs sessions: focused on giving a busy, exhausted new mother a genuinely relaxed hour rather than a stressful photo shoot to survive. Her portfolio covers newborn and maternity work alongside weddings, family portraits, and brand photography, but the newborn galleries are where her over-a-decade of experience is most visible — soft light, uncomplicated posing, and images built to be printed and lived with for years rather than scrolled past once. For Edmond families weighing who to trust with days-old images, an EST.-2012 track record and a clearly stated specialty carry real weight. 

Katie Robinson Photo directly labels itself an Edmond plus Oklahoma City newborn photographer and specifies three distinct session formats, lifestyle in-home, in-studio, and outdoor, rather than offering only a single fixed setting. That range matters because families have real preferences: some want their own home in the images, others prefer a controlled studio backdrop, and still others like natural outdoor light, and having all three under one photographer avoids having to compare separate specialists for each. The portfolio includes several distinct named newborn sessions alongside maternity, family, and even sports and event photography, indicating a working photographer with a broad, active client base rather than a narrow or occasional practice. Beyond Edmond and Oklahoma City, the site also references Carlton Landing, a lake community, suggesting willingness to travel for the right session. For Edmond families who haven’t yet decided between an in-home, studio, or outdoor newborn session, having a single photographer fluent in all three removes an early decision point from the planning process. 

Lindsey K Brown Photography markets itself directly as an Oklahoma City newborn photographer while explicitly naming Edmond as part of its service area, giving Edmond families a clear, stated claim rather than an assumption based on general proximity. The portfolio includes multiple named newborn sessions alongside maternity, motherhood, and first birthday galleries, evidence that the business follows individual families across several stages rather than booking a single unrelated session per client. A magazine feature referenced in the site’s own image assets suggests recognition beyond word of mouth, adding a layer of outside validation to the newborn specialty. The range of session types on display, from maternity through first birthday, points to a practice built for repeat bookings as a single child grows, which can matter to families who’d rather not vet a new photographer every few months. For Edmond parents who want a newborn photographer with a demonstrated multi-session history with the same families, that visible continuity across the portfolio is a meaningful signal. 

Haley Kinzie Photography identifies specifically as a lifestyle family and newborn photographer, a pairing that reflects a documentary-leaning approach rather than a heavily posed, prop-driven studio style. Serving both Oklahoma City and Edmond directly, the practice sits well inside a family’s realistic radius for a newborn session, which often needs to happen on short notice around a baby’s unpredictable early schedule. Client testimonials referenced on the site speak specifically to the newborn session experience itself, rather than generic praise about photo quality, suggesting families come away remembering how the session felt as much as how the photos turned out. The portfolio spans several years of published work, evidenced by copyright dates running from 2017 through 2025, indicating a sustained, ongoing practice rather than a newer or seasonal side project. For Edmond families who lean toward a relaxed, true-to-life documentary style over heavily staged newborn setups, that lifestyle-first framing is the clearest signal of what a session will actually feel like. 

Moss Photography is based in Edmond and states directly that it specializes in studio posed newborn plus natural light portrait photography, splitting its practice cleanly into two distinct approaches rather than blending them into one generic style. A decade specifically spent on newborn work, on top of thirteen years total as a family photographer, means the newborn specialty developed alongside, rather than as an afterthought to, a broader portrait career. Offering both a fully posed studio option and a softer natural light alternative gives Edmond families an actual choice between two different looks rather than a single fixed house style applied to every client. That range also suggests comfort handling the more technically demanding posed newborn setups, careful support, controlled temperature, patient timing, since studio posed newborn work carries more safety considerations than a simple lifestyle session. For Edmond parents deciding between a classic, curated studio look and a more relaxed natural-light feel, having both options from one experienced photographer removes the need to compare separate specialists. 

Before relocating to the Edmond and Oklahoma City area, Katherine Forbes was recognized as one of the Top 20 Newborn Photographers in Boulder, Colorado for four consecutive years, from 2016 through 2019, a regional distinction that speaks to a specialty built well before she began working with Oklahoma families. Her galleries favor the classic wrapped and posed newborn style: knit bonnets, soft neutral wraps, and simple set pieces that keep visual attention on a baby’s features rather than an elaborate backdrop. The consistency of lighting and posing across her portfolio suggests an established technical process refined over years of newborn-specific work rather than a general portrait photographer who occasionally takes baby photos. With 24 Google reviews at a 5.0-star average, her Oklahoma-based client base is newer than her overall career, reflecting a more recent move to the area rather than a longer local track record. The site describes a broader ‘passion for newborns, babies and children,’ suggesting her practice extends into related categories such as milestone and sitter sessions alongside pure newborn work. For Edmond-area families specifically looking for a photographer whose primary specialty is newborns, rather than one who offers it as a secondary service alongside weddings, Forbes’ out-of-state recognition in the field is a distinguishing credential most local competitors don’t have. 

Charis Elisabeth Photography describes its newborn work as ‘light filled, organic lifestyle in-home newborn photography,’ a description that lines up with the portfolio’s preference for real nurseries and living rooms over a studio backdrop. Sessions typically include the whole family, with images showing a baby held by parents and pressed close by an older sibling rather than photographed alone in a bassinet. The photographer accepts a limited number of newborn bookings each month and recommends reserving a date midway through pregnancy, a scheduling detail that points to a business built around a manageable, unhurried session load rather than high-volume turnover. With 46 Google reviews at a 5.0-star average, the studio has built a solid reputation specifically among Edmond and Oklahoma City-area families. Fresh 48 sessions, photographed in the hospital within the first two days of life, are offered as a separate service from the in-home newborn sessions scheduled during the following weeks, giving families a choice depending on how early they want documentation to start. Maternity and pregnancy-announcement sessions round out the studio’s baby-related offerings, allowing a family to work with the same photographer from early pregnancy through a baby’s first days at home. The consistent natural-light, true-to-life style across these categories suggests a photographer with a clearly defined aesthetic rather than one chasing different trends session to session. 

Prints Charming Photography has operated in the Edmond and greater Oklahoma City area since 1999, a run long enough that the studio’s crown-and-crest logo has become a familiar sight in local family photo albums spanning two and a half decades. Newborn sessions sit alongside weddings, seniors, and family portraits in the studio’s catalog, and the archive of past newborn sessions on the site’s blog goes back well over a decade, including sessions timed around the holidays and worked into existing family portrait appointments. With 189 Google reviews at a 5.0-star average, the business has one of the largest verified review counts of any photographer serving the Edmond area, a volume that reflects both its longevity and the breadth of services it covers beyond newborn work alone. Rather than treating newborn photography as an isolated specialty, the studio frequently photographs a newborn as part of a larger family session, working a new baby into portraits alongside older siblings and parents rather than exclusively offering solo baby portraits. That approach suits families who want one cohesive set of images marking a new arrival rather than separate sittings for the baby and the rest of the household. For families who value an established local studio with a long public track record over a newer specialist, Prints Charming’s quarter-century of operation in the area is difficult to match. 

Epic | Photos + Films has been documenting weddings since 2009, and the studio has grown well past a single photographer working solo — they now run dedicated photo and video teams that cover Oklahoma City, Edmond, and the wider metro out of a home base in Broken Arrow. That scale shows up in their package structure: options range from photo-only or video-only coverage up through a combined “Black Label” tier for couples who want full production value from both mediums. Every wedding gets a team on-site from getting-ready shots through the send-off, and finished images are delivered as digital files for easy sharing rather than requiring a print order first. The studio has picked up Best of Weddings recognition on The Knot and WeddingWire dating back more than a decade, a streak that reflects consistency across a large volume of weddings rather than a handful of standout years. Engagement and portrait sessions are available as add-ons for couples who want a second shoot together before the wedding itself. For Edmond couples planning a larger production — video alongside stills, multiple shooters, cinematic coverage — Epic is built for exactly that scale of wedding. 

Mina Art Studio operates out of a studio on 33rd Street in Edmond, run by husband-and-wife team Mina and Bobby along with cinematographer Solomon, who together cover both photography and videography for a wedding day. Mina brings an unusual background to the work — a B.A. in graphic design and prior experience illustrating children’s books — and that visual-arts training shows up in compositions that feel more designed than snapshot. Since opening in 2016, the studio has picked up Best of The Knot recognition in 2022, 2023, and 2024, along with WeddingWire honors and a Zola listing, a consistent multi-year track record rather than a single good year. Beyond full wedding-day coverage, they offer destination wedding photography for couples marrying outside Oklahoma, plus a full slate of portrait services including headshots, family sessions, maternity, and newborn work. Having both a photography and videography team under one roof means couples can book synchronized coverage — stills and film shot by people who already work together — instead of coordinating two separate vendors and hoping their styles mesh on the day. 

James Barrett has been photographing weddings since 2010, and describes his own style as modern photography with a touch of Southern charm — a mix of natural light work and photojournalism that shows up clearly across his portfolio of OKC-metro ceremonies. Based in Edmond, he built his business primarily around the Oklahoma City metro but keeps his schedule open for travel, and his galleries include weddings shot well outside Oklahoma when clients bring him along. Coverage includes high-resolution digital files, the option to add a second shooter, and engagement sessions ahead of the wedding, giving couples a fuller package than photo-day coverage alone. Sixteen years in the business means he’s photographed weddings through several shifts in what couples want from their photos — from heavily posed traditional albums to the looser, documentary-leaning style that dominates requests now — and his current portfolio reflects that more relaxed, in-the-moment approach. Reviewers consistently mention his calm presence on a wedding day, which tends to matter as much to a stressed wedding party as the technical quality of the final images. 

Sunny Thomas has run DaybreakPics.com as a full-time wedding photography business out of Edmond since 2010, which puts her among the longer-tenured photographers still actively booking in the area. She’s a member of Professional Photographers of America, a credential that requires ongoing continuing education, and her galleries lean toward a contemporary, photojournalistic style — closer to visual storytelling than a stiff formal-portrait tradition. Her studio, located on West Danforth Road, handles weddings alongside couples’ sessions and family portraits, which means engaged clients booking a wedding can often stay with the same photographer for engagement photos beforehand and family sessions after. Sixteen years of shooting weddings in the same metro area gives her a working knowledge of local venues that newer photographers simply haven’t had time to build — the kind of familiarity that helps a wedding day timeline run smoother when the photographer already knows a venue’s best light and tightest logistics. Her online booking process starts with a straightforward contact form rather than a public price sheet, letting her scope each wedding individually. 

Ashley Sunderland photographs weddings from a base in Oklahoma City, with a portfolio that includes ceremonies at venues like The Barn at the Woods in Edmond alongside events, family sessions, and business headshots. Her stated focus is on real and unscripted moments — camera pointed at what’s actually happening between people rather than a checklist of posed shots — and that documentary instinct is what her wedding clients tend to bring up first. She’s willing to travel beyond the metro when a wedding calls for it, with past work taking her to Tulsa, Dallas, and Arkansas, so couples marrying outside the immediate OKC area aren’t automatically ruled out. Client galleries are hosted on Pixieset, giving wedding parties an easy way to view, favorite, and download their images once editing wraps. Because her business spans weddings, events, and portrait work rather than weddings exclusively, she brings a broader photographic toolkit to a wedding day — comfortable directing formal family portraits and staying invisible during candid reception moments in the same afternoon. 

A.W. Photography Inc operates out of a residential studio on Sunny Brook Drive in Edmond, and the business has built its identity around going wherever the shoot demands — the owner puts it plainly on the site: whether that’s an in-home session or a mountaintop, they’ll be there. That willingness to travel extends well past Oklahoma; their portfolio includes destination work shot in Glacier National Park, Telluride, Yosemite, and Aspen, alongside the bread-and-butter Edmond and OKC-area weddings that make up most of their bookings. For couples planning a big-sky mountain elopement or a Colorado ceremony far from home, that range is a real differentiator from photographers who only shoot locally. Closer to home, the studio handles full wedding-day coverage with the same attention to landscape and light that shows up in their destination galleries — using the setting as part of the story rather than just a backdrop. Prospective clients are invited to fill out a detailed inquiry form covering the specifics of their day, which the studio then uses to build a custom quote rather than pushing a generic package. 

Laura Vanderzee works out of Edmond, and her approach to wedding photography reads less like a business pitch and more like a personal philosophy: capture the moments that matter most, and don’t overcomplicate the rest. She’s a musician’s wife and mother of three, and that family-first perspective shows up in how she structures her wedding packages — tailor-fit to each couple rather than a rigid tiered menu, with the option to add hours or bring in a second photographer when a wedding calls for more coverage. Beyond weddings, she shoots engagement sessions, bridal portraits, and lifestyle family work, which means couples who book her for the wedding often come back years later for anniversary or newborn sessions. She commits to one wedding per event day, a policy that keeps her fully present rather than splitting attention across bookings. Her online portfolio spans warm, natural-light images from ceremonies and receptions around Edmond and the greater Oklahoma City area, and her gallery updates regularly with recent work, a good sign for a photographer whose calendar is still actively filling. 

Chad & Brie Photography has been shooting weddings across the Oklahoma City metro since 2016, and their service map reads like a tour of the region: Edmond, Yukon, Bethany, Piedmont, El Reno, Moore, Norman, Mustang, Guthrie, Shawnee, and beyond, with destination weddings available for couples marrying further afield. Ten years into the business, they’ve settled into a documentary-leaning approach that favors real reactions over engineered poses — the kind of photography that holds up when a couple looks back at it twenty years later. Their portfolio spans everything from small backyard ceremonies to full-scale receptions with a hundred-plus guests, and the range shows in how differently each gallery on their site feels from the last. Reviews consistently mention how relaxed the pair makes wedding parties feel, which tends to translate directly into more natural-looking photos once the editing is done. Rather than publishing a flat price list, Chad & Brie prefer to talk through a couple’s specific day first — venue, guest count, timeline — before quoting a package, which lets them tailor coverage instead of forcing every wedding into the same box. 

Brittany Williams built Just.Be.Artistry around a simple idea: weddings should be documented the way they actually happened, not staged into something else. She’s carved out a niche photographing adventure elopements and intimate weddings alongside traditional Oklahoma City ceremonies, and couples planning either kind of day end up on her calendar. Her recognition speaks for itself — she’s a five-time award winner on the wedding-industry review platforms, and Brittany has been featured in local press, including a spot on a “100 Wildly Capable Women in Oklahoma City” list and coverage from Brides of Oklahoma. Packages start at $1,900 and go up from there depending on coverage hours and add-ons, and she also offers a photo booth rental that guests consistently mention as a highlight of the reception. What separates her work from a lot of wedding portfolios in the area is the emotional read on a room: candid, in-between moments show up as often as the posed shots, which is exactly what couples who hire her say they wanted. She’s Oklahoma-based but travels for elopements nationwide, so out-of-state destination weddings are well within her wheelhouse too. 

Casey Williamson has spent more than a decade behind the camera at weddings across the Oklahoma City metro, working out of a home base in Bethany just a short drive from Edmond. What sets her apart is the range she’s built into her business: full wedding-day coverage, engagement sessions, bridal portraits, and boudoir work, all shot in a blend of contemporary, traditional, and photojournalistic styles that she adjusts to fit each couple rather than forcing one look on everyone. Clients repeatedly point to her responsiveness and quick turnaround as a reason they’d book her again, which matters on a day with as many moving parts as a wedding. She keeps her calendar to one wedding per event day, a deliberate choice that lets her give each couple full attention instead of splitting focus between multiple shoots. Her online galleries, hosted through ShootProof, give couples an easy way to browse, download, and share their images with family after the big day. With close to two hundred client reviews behind her, she’s built one of the most established wedding photography practices serving Edmond, Yukon, Norman, Moore, and the wider OKC area, and she still shoots every wedding herself rather than handing it off to associates.