Find the Best Photographers in Las Vegas

Alyssa Charboneau’s Las Vegas studio leans into Fresh 48 work as much as traditional posed newborn sessions, with portfolio images showing hospital-room moments alongside floral-swaddle studio portraits. The site also lists family and maternity photography, and portfolio shots reference specific Las Vegas backdrops like Summerlin and The White Space studio, giving a sense of where sessions actually happen rather than generic stock-style settings. Client feedback quoted on the site, including from a reviewer identified as Rene G., points to a working relationship that extends across multiple family milestones rather than a single one-off booking, with mentions of prior family portraits and senior sessions alongside the newborn work. For parents who want the hospital-bed Fresh 48 moments documented in addition to a later at-home or studio session, that dual focus is the studio’s clearest differentiator from newborn photographers who only offer the posed studio format. 

Michelle Clark’s Las Vegas business covers newborn photography alongside maternity, weddings and elopements, and boudoir, which means the newborn work sits inside a studio that’s used to photographing the same client at very different life stages. That range is reflected in the site navigation itself, where a newborn client can browse straight into maternity or wedding galleries from the same portfolio. For families who found Michelle Clark through a maternity or wedding booking and want to stay with a photographer they already trust for the newborn stage, that continuity is the main draw. The newborn gallery on her site is presented without the heavy pricing breakdowns some competitors publish, so specifics on packages and turnaround are best confirmed directly rather than assumed from the website alone. 

Alesha Howell’s newborn work in Las Vegas is built around a candid, storytelling approach rather than the classic posed-and-propped newborn look, with sessions described as being about a family in its own element instead of a manufactured studio scene. The business offers three tiers: an in-home or outdoor session, a lifestyle studio option, and pricing that starts at $330 for the simpler format and $490 for the studio lifestyle package. Where many newborn studios push hard for the five-to-fourteen-day window, Alesha Howell’s site notes that lifestyle sessions don’t put a hard time limit on newborn or infant photos, which gives some breathing room to families who miss that early window because of a NICU stay, travel, or simply life getting in the way. That flexibility, paired with a documentary rather than staged aesthetic, sets this studio apart from more traditional prop-heavy newborn specialists in the valley. 

Meg Gassler runs a full-service portrait studio in Las Vegas that lists newborn, family, maternity, and child photography under one business, with a service area that stretches from Henderson and Summerlin out to Red Rock and Mt. Charleston. The site is upfront that the team will travel for sessions rather than requiring every family to come to a fixed studio address, which matters for a newborn shoot where getting a fussy baby across town isn’t always realistic. Portfolio images shown for the newborn work lean toward a soft, natural style rather than heavily staged prop setups, with sessions built around swaddled poses and simple flat-lay detail shots. Because the studio also handles maternity and family work, it’s a reasonable fit for parents who want continuity from the third trimester through the newborn stage without vetting a second photographer mid-pregnancy. 

MBF Photography runs out of a studio in Tivoli Village, on South Rampart Boulevard, and lists newborn photography as one of nine distinct service lines that also includes maternity, baby and child sessions, headshots, seniors, and even pet portraits. That breadth suggests a studio built for a family that keeps coming back through different life stages rather than a one-and-done newborn specialist. The Tivoli Village location puts it in the Summerlin-adjacent part of the valley, convenient for west-side and northwest families who want a proper studio setting rather than an in-home session. Because newborn, maternity, and Mommy & Me sessions are all handled under one roof, parents can plan a bump-to-baby arc with the same team and studio backdrop rather than switching photographers between the maternity and newborn stages. Details on pricing and package structure are best confirmed directly with the studio. 

Jerry Martin has been shooting in Las Vegas for over two decades, and his newborn work sits inside a portfolio that also spans weddings, fitness, boudoir, and quinceaneras rather than a newborn-only focus. That range shows up in how he talks about the job: he describes documenting the tender, fleeting moments of a brand-new baby the same way he’d talk about any other milestone worth remembering, treating a newborn session as one more chapter in a family’s ongoing story rather than a standalone product. Clients quoted on his site, including Camille Alexis White and Angeliki Iliadou, point to his professionalism and the sheer number of years behind the camera as reasons they came back. For families who already know him from a wedding or a branding shoot and want the same photographer for their new arrival, or for anyone who prefers a generalist with decades of technical experience over a boutique newborn-only studio, Jerry Martin offers that continuity. Sessions can be booked directly through his Las Vegas studio line. 

Based in Las Vegas since 2013, SheenaGal Photography built its newborn portfolio around a simple rule: babies photograph best in that narrow window between five and ten days old, so every session gets booked around an estimated due date rather than a fixed calendar slot. The studio caps how many families it takes on each month, and that restraint shows up in the reviews, which describe a photographer who is patient with a fussy infant and doesn’t rush a session just to hit a schedule. Sheena’s own words describe herself as inspired by nature and powered by coffee, and that laid-back energy carries into how sessions are run, favoring natural light and simple wraps over an overloaded prop closet. With close to a hundred five-star reviews built up over more than a decade in the valley, this is one of the more established newborn specialists working the Las Vegas market today. 

Photographers of Las Vegas lists “Baby – Newborn Photography” as one of several dedicated studio session categories on its site, alongside kids’ portraits and first-birthday cake-smash sessions, positioning the business as a one-stop option for a family’s early childhood milestones rather than a newborn-only specialist. Session work shown in the studio’s portfolio favors dramatic, high-contrast lighting — dark backdrops with a single warm light source on the baby — a noticeably different look from the soft, airy style common among boutique newborn studios. That lighting approach carries over into family-inclusive frames as well, including images of a baby’s hand set against a parent’s for a simple scale comparison, shot in black and white rather than color. The studio operates as a broader commercial and portrait photography business in the Las Vegas valley, which means its newborn offering sits within a larger operation with established booking systems and studio infrastructure rather than a single independent photographer working solo. That scale can be an advantage for families who want flexible scheduling or who are also considering the studio for other portrait needs down the line. Families across the Las Vegas valley make up the bulk of its newborn clientele, with sessions typically held in-studio rather than as in-home visits. 

Nearly a decade into her professional career — and with a camera in her hands since childhood, by her own account — Alejandra runs a photography business that spans nearly every family milestone, from pregnancy announcements through college graduation portraits. Newborn sessions lean toward bright, thematically styled sets; one recent gallery wrapped a sleeping infant in a mustard-yellow blanket surrounded by silk sunflowers, a look that reflects a broader preference for saturated color and seasonal props over neutral, muted palettes. Based in Las Vegas, the studio works with families across the valley and books newborn sessions during the first couple of weeks after birth, when infants still settle easily into the curled, sleepy poses that define much of the genre. Beyond newborns, the same client base often returns for first-day-of-school portraits, family sessions, and eventually senior photos, giving Alejandra long-term familiarity with many of the children she first photographed as infants. That continuity is part of the pitch: rather than a one-time vendor, the studio positions itself as a photographer families keep coming back to across two decades of milestones. For parents drawn to colorful, prop-heavy newborn portraits rather than a strictly neutral aesthetic, her portfolio offers a distinctly different visual direction from the black-and-white, minimalist end of the newborn photography spectrum. 

Eighteen years and more than a thousand weddings deep, JLM Creative Photography’s founder started documenting his own daughter’s early days before newborn sessions became a formal part of the business — a detail that still shapes how the studio approaches its smallest clients today. Rather than working from a rigid shot list, sessions favor a documentary-adjacent style carried over from years of wedding coverage: watching for genuine expressions and quiet moments rather than only chasing perfectly posed setups. The studio maintains a working space in downtown Reno in addition to serving the Las Vegas market, giving it a footprint that spans much of Nevada. Pricing and package details are handled through direct email conversations rather than a fixed online menu, which the studio uses to tailor sessions — location, wardrobe, family size — to each client’s specific request. Portraits from past newborn sessions show a preference for soft florals, knit textures, and warm, low-contrast light rather than saturated studio backdrops. For Las Vegas families who want a photographer with a long wedding-industry résumé and a personal, hands-on connection to newborn work rather than a high-volume studio model, JLM Creative offers a boutique alternative built on nearly two decades in the field. 

Jamie Y has built her business around a specific kind of couple: the ones who want their wedding photographed with personality rather than polish, a philosophy she sums up on her site as shooting for ‘people who rock.’ Her portfolio leans into modern, editorial-style images with bold color and a slightly irreverent sensibility — think Fremont Street neon and vintage Vegas signage used as deliberate backdrops rather than avoided in favor of more conventional venues. She’s built a national reach for a Las Vegas-based photographer, regularly working destination elopements and cross-country bookings alongside her home-market Las Vegas ceremonies. Recognition from Rock N’ Roll Bride, WedLoft, and multiple ‘as seen on’ wedding blog features points to a style that resonates especially with couples looking for something other than a traditional, formal aesthetic. Client reviews single out her communication as a strength — couples booking from out of state mention an easy, responsive planning process even without meeting in person before the wedding day. With 21 reviews and a 5.0 rating on WeddingWire, her client base is smaller than some of the higher-volume studios in this list, but the reviews are consistently detailed and specific, the kind that tend to come from couples who felt genuinely seen by their photographer rather than processed through a package. 

Ivan and Diana have been photographing weddings together since 2012, and in that time they’ve shot more than 500 ceremonies across the Las Vegas Valley — a volume that’s earned them recognition from The Knot, WeddingWire, Style Me Pretty, and Fearless Photographers, whose badges appear across their site. Their style sits somewhere between photojournalistic and romantic: unobtrusive during the ceremony itself, then more directive during dedicated portrait time, aiming for images the couple describes as dreamy and timeless rather than stiff or overly staged. As a husband-and-wife team, they typically both attend larger weddings, which means couples get two sets of eyes covering different angles and moments without paying for a separate second-shooter add-on. Their specialty has increasingly shifted toward elopements in recent years, reflected in gallery names referencing Vegas-specific elopement packages, though they still shoot full receptions regularly. Client reviews highlight Diana in particular for making camera-shy couples feel comfortable, a recurring theme across their 56 reviews and perfect 5.0 rating on WeddingWire. Over a decade in business has let them build real familiarity with the Valley’s most popular ceremony spots — chapels, resort grounds, and desert overlooks alike — which shows in how efficiently they move a couple through multiple locations in a single afternoon. 

Lisa and Jamison Derfler run Moxie Studio out of a small studio space on South Maryland Parkway, and unlike larger operations that dispatch whichever associate photographer is available, the two shoot and edit every wedding personally — a detail they lead with in their marketing and one that shows up repeatedly in client reviews. That hands-on approach extends across Summerlin, Henderson, Lake Las Vegas, Mount Charleston, and the wider Southern Nevada region, giving couples a wide range of backdrop options without switching photographers. Their portfolio favors natural light and genuine reactions over heavily posed formal portraits, with country club and golf-course venues showing up often among their recent work. Clients booking Moxie tend to mention transparency as a selling point — full package pricing is published on the studio’s website rather than requiring a custom quote request, a rarity among Las Vegas wedding photographers who typically gate pricing behind an inquiry form. The studio operates by appointment only, which keeps their calendar tighter than volume-focused competitors but also means couples get more attention during the actual booking and planning process. With 57 reviews on WeddingWire and a 5.0 rating, Moxie Studio has built a loyal following among couples who prioritize a personal relationship with their photographer over a big-studio operation. 

Brandi Falconer built Wander & Dusk around a specific niche: elopements and intimate weddings staged at Las Vegas’s most photogenic backdrops, from the fountains and suites of Aria to the open desert just outside the city limits. She’s been operating in the Las Vegas market since at least 2020, and in that time has picked up WeddingWire’s Couples’ Choice Award every year running plus a spot on The Knot’s Best of Weddings list four years straight — recognition that tracks with what shows up in client reviews. Couples consistently mention a detailed pre-wedding planning call as one of the more useful parts of booking her, since it lets her map out lighting and location logistics in advance rather than improvising on the day. Her knowledge of where and when to shoot around the Strip’s crowds and harsh midday sun comes up often, particularly from couples eloping without a wedding planner to handle those details themselves. The images that result lean candid and unposed rather than heavily directed, a style that fits the elopement-focused clientele she’s built her business around. With 81 reviews and a perfect 5.0 rating, plus certification as a Vegas Is For Lovers vendor, Wander & Dusk has become a favorite specifically among couples eloping rather than planning full receptions. 

Susie has been photographing weddings since establishing her studio in 2013, and in the years since, Susie and Will has grown from a Las Vegas-based operation into one that regularly travels for destination work in Los Angeles, San Diego, Napa Valley, and occasionally as far as Santorini. Her approach sits closer to fine art than documentary — thoughtfully composed, painterly light, a photojournalistic instinct for candid moments layered underneath more formal portraiture. That range shows in a portfolio spanning intimate Four Seasons Las Vegas ceremonies, sprawling country club receptions, and Hindu wedding celebrations with their own distinct color and ceremony traditions to capture. The studio has picked up WeddingWire’s Couples’ Choice Award four years running, and press features in The Knot and Style Me Pretty point to a style that resonates beyond just client reviews. What comes up again and again in feedback is how at ease Susie makes couples feel in front of the camera — a specific skill that separates a technically good photographer from one whose images actually look natural. With 89 reviews and a 5.0 rating, Susie and Will has built a reputation as a go-to choice for couples who want their Las Vegas wedding photographed with an editorial, magazine-ready sensibility. 

Victoria and Zoltan run their studio out of North Las Vegas, and the split in their backgrounds shows up in the finished galleries: Zoltan brings more than 20 years of international photography experience and a documentary, cinematic eye, while Victoria handles much of the coordination and second-shooting that keeps two-person weddings from feeling rushed. Since founding the business in 2015, the pair has built a catalog that leans hard into moody, film-like color grading rather than the bright-and-airy look common among newer Las Vegas studios — a distinction couples researching photographers by style should note before booking. They shoot both photography and videography, which lets couples bundle a wedding film with stills instead of hiring separate vendors, and their client list stretches beyond Nevada into destination work across the country. Reviews describe the two as calming presences on a wedding day, a quality that matters more than most couples expect once a timeline starts slipping. With 186 reviews and a perfect 5.0 average on WeddingWire, Zoltan Wedding Photography has become one of the more consistently booked husband-and-wife teams in the Las Vegas Valley, particularly among couples planning elopements at downtown chapels or in the surrounding desert landscape. 

Photographers of Las Vegas runs out of a dedicated studio at 2700 East Sunset Boulevard, which already sets it apart from the mobile solo shooters who dominate most Strip wedding listings — this is a full operation with in-house lighting, backdrops, and a team built to handle everything from courthouse elopements to headshots and corporate events between wedding bookings. Jed, the photographer most frequently named in client reviews, gets singled out repeatedly for being straightforward about pricing and for delivering galleries that run well past what couples expected — one review mentions a one-hour session returning nearly 200 final images. The studio markets itself around ethical, transparent business practices, a pitch that seems to land: it’s earned a 5.0-star average across roughly 190 reviews, an unusually high volume for a Las Vegas photography business outside the big destination-wedding brands. Because the team also works with conventions and Strip visitors seven days a week, they’re comfortable with tight same-day turnarounds that a lot of boutique studios can’t offer — useful for couples eloping on short notice or squeezing a ceremony into a Vegas trip. It’s a fit for couples who want responsive, no-nonsense service more than a heavily stylized editorial look. 

Ask around the Las Vegas wedding scene long enough and Keith Kaplan’s name comes up on its own — he’s been shooting ceremonies across the valley for 14 years and has now photographed more than 4,000 couples, a volume that shows in how unbothered he seems by chaotic itineraries or last-minute venue changes. What clients mention most often isn’t a particular photo style but the experience of working with him: he’ll personally drive couples between locations to chase better light, keeps the day loose and entertaining rather than rigid, and treats a budget elopement package with the same attention as a full reception. Turnaround is refreshingly analog for 2026 — galleries go up on Shutterfly and a disc of high-resolution files typically arrives by mail within a week of the wedding, a detail longtime clients specifically call out as a nice throwback. Kaplan operates independently rather than through a studio brand, which couples researching him will notice from the handful of listings under both ‘Keith Kaplan Photography’ and ‘KK’s Photography.’ With north of 250 reviews split across WeddingWire and Google, and a rating that rarely dips below 4.9, he’s built his reputation the slow way — one stress-free wedding day at a time — rather than through heavy marketing. 

Trey Tomsik opened Scenic Las Vegas Weddings and Photography back in 2009, and the studio has since photographed more than ten thousand ceremonies across the Mojave’s most dramatic backdrops — Valley of Fire’s red sandstone, the overlooks above Red Rock Canyon, the ghost town at Nelson, and the neon corridor of Fremont Street. What sets this team apart from typical Strip photographers is the all-inclusive structure: officiant, witness, transportation, and photography bundled into a single scenic-location package, so couples can go from vow to portrait session without coordinating separate vendors. Tomsik personally brings 25 years behind the camera, and the studio also offers helicopter elopements that touch down in the Grand Canyon for couples chasing something more dramatic than a chapel aisle. Reviewers consistently point to the crew’s ability to keep a shoot moving fast in Nevada heat while still landing candid, unposed moments of the couple laughing or catching their breath between locations. With a storefront at 5071 N. Rainbow Blvd. and a portfolio built almost entirely around outdoor and adventure elopements, Scenic Las Vegas Weddings has become the default booking for couples who want their photos to look unmistakably like Las Vegas — not a generic ballroom anywhere in the country. 

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