Find the Best Photographers in Papillion

Autumn Waldman Photography works across maternity, newborn, and family portraiture for clients throughout the Omaha metro, including Papillion. The brand’s logo — a detailed anatomical heart wrapped in botanical linework — hints at the studio’s broader creative sensibility, and that same attention to composition and detail carries into the newborn sessions themselves, where warm, editorial-style images document a baby’s earliest days alongside siblings and parents rather than in isolation. Sessions often extend beyond a single newborn portrait to include the wider family: a toddler leaning in to inspect a new sibling, a father cradling a swaddled infant while an older child looks on. The studio maintains a dedicated Session Info page so clients can review what to expect before booking, along with a testimonials section where past clients share their experience working with Autumn. Beyond newborn work, the business also documents maternity sessions and ongoing family milestones, giving clients a single photographer to return to across several years of a growing family’s life. Autumn keeps an active presence across Instagram, Facebook, Pinterest, and X, sharing recent sessions and behind-the-scenes work for prospective clients to browse. For Papillion-area families looking for a newborn photographer who treats the whole family as part of the story — not just the baby — Autumn Waldman Photography offers a documentary-leaning, relationship-focused alternative within the greater Omaha photography market. 

Hey Honey Photo brings an unusual dual perspective to newborn photography: owner Kassie spent six years working as a wedding photographer before shifting her focus to newborns, and she has also spent the past couple of years working as a Labor and Delivery nurse — meaning she understands infant safety, positioning, and comfort from clinical experience, not just from behind a camera. That combination shows up in a portfolio built around calm, close-up newborn portraits: swaddled babies caught mid-yawn or mid-squint, tiny features rendered in soft, warm light. Kassie’s interest in photography traces back to 2015, when the birth of her own son first pulled her toward the craft, and that personal connection to new parenthood still shapes how she runs sessions for Omaha-area families, including those in Papillion. The studio markets itself as Omaha’s premier newborn photographer, and books sessions and consultations directly through its website’s inquiry and scheduling pages. Beyond newborn portraits, Hey Honey Photo also offers maternity and family sessions, giving clients a photographer who can document a pregnancy, welcome a new baby into the frame, and photograph the whole family together in one continuous relationship. For parents who want a photographer who genuinely understands the fragility and unpredictability of the newborn stage — not just artistically, but from real clinical training — Hey Honey Photo offers a rare pairing of medical background and photographic skill. 

J. Moore Photography approaches newborn work with a simple, natural style that leans on soft window light and uncluttered backdrops rather than elaborate props or sets. Based in Omaha and serving nearby communities such as Papillion, the studio built its business around documenting a baby’s first year, starting with a newborn session and continuing through milestone updates as the baby grows. Session offerings are structured to fit different budgets and needs: Petite sessions for shorter, focused updates, Simply Baby sessions built around a single subject, and full Family sessions that bring siblings and parents into the frame, with pricing running from $250 to $750 depending on the package. The resulting images favor genuine expression over posed perfection — a sibling leaning in to inspect a new baby, tiny hands and feet left uncovered, quiet moments between a parent and child rendered in warm, timeless tones. For parents in Papillion who want newborn photography without a heavily styled, prop-driven look, J. Moore Photography offers a documentary-leaning alternative that still delivers polished, gallery-ready portraits. The studio maintains an active presence on Instagram, where recent sessions are shared regularly, giving prospective clients an easy way to see current work before booking. Families researching Omaha-area newborn photographers who want straightforward pricing and a natural, low-fuss aesthetic will find that focus reflected throughout the studio’s portfolio and session structure. 

Kaitlyn Maree Photography has built a reputation across the Omaha metro — including Papillion, Elkhorn, Gretna, and Millard — for newborn sessions that feel unhurried rather than staged. Working from a home studio in West Millard near 192nd & Q, Kaitlyn guides new parents through everything from Fresh 48 sessions taken within the first two days of life to full birth story documentation and milestone sessions that follow a baby through their first year. Beyond newborns, the studio also handles maternity, child, family, and personality portrait sessions, giving returning clients a single photographer to call on as their family grows. What sets the experience apart is the emphasis on communication: clients are walked through booking and delivery with clear expectations at every step, and sessions are designed to feel effortless for parents who are often sleep-deprived and anxious about handling a newborn during a shoot. The studio also offers cake smash and first birthday sessions, letting families bookend a baby’s first year with the same photographer who welcomed them home. For Papillion families who want their newborn’s earliest days preserved without the stress of a rushed studio visit, Kaitlyn Maree Photography offers a relaxed, relationship-driven alternative to production-line newborn photography, backed by a portfolio of soft, naturally lit imagery and a genuine focus on the small details new parents want remembered. 

Hospital newborn sessions — known in the industry as Fresh 48 shoots — are a specialty for Cami Thompson, who has photographed Papillion-area babies within their first two days of life, still in the hospital room where they were born. That timing means her portfolio includes moments most newborn photographers never get access to: a baby’s first swaddle by hospital staff, siblings meeting the new arrival for the first time, and the exhausted, overjoyed expressions unique to the first 48 hours. Beyond Fresh 48 work, Cami also offers in-home and studio newborn sessions for families who prefer to wait until a baby is a bit older and steadier before their portrait session. Her editing style stays close to true color and natural light rather than heavy stylization, which keeps hospital-room sessions feeling authentic rather than overly polished. Families across the greater Omaha metro, including Papillion and the rest of Sarpy County, have used her for both hospital and at-home sessions, sometimes booking both to document the full arc of a baby’s first weeks. Because Fresh 48 sessions depend on hospital timing rather than a studio calendar, Cami works to stay flexible and reachable once a due date approaches. For parents who want documentation of the very first hours of their baby’s life, her hospital-session specialty fills a niche most newborn photographers in the area don’t offer. 

Tucked into the Ralston area just off Interstate 80, Helena Schwartz’s studio sits within an easy drive for Papillion and greater Sarpy County families looking for a newborn photographer without a trip into downtown Omaha. Helena is a mother of five, and that hands-on experience with newborns of her own comes through in a style she describes as natural, simple, and intimate rather than heavily staged or prop-driven. Her sessions favor soft, close-in portraits of a baby’s expressions and the small interactions between parents and their new child over elaborate themed setups, and she keeps her prop collection deliberately minimal so the baby stays the focus of every frame. Maternity and family portraits round out her offering, and many clients book a maternity session first before returning for the newborn shoot a few weeks after delivery. Helena works primarily with natural light, giving her portfolio a soft, airy quality that reads more like a documentary of early parenthood than a formal portrait sitting. Appointments are handled through her website’s contact form or by emailing the studio directly. For parents who want a quieter, less produced newborn session that still results in polished, gallery-ready images, her intimate approach has made her a steady presence in the Omaha-area newborn photography scene. 

Soft window light and a small, well-worn set of studio backdrops define the newborn work coming out of Amy Blanchard’s Bennington-based studio, which draws families from Papillion, Omaha, and the surrounding Sarpy County suburbs. Amy is a mother of four herself, and she started shooting professionally after her oldest son was born, which means the newborn sessions she runs today come from firsthand experience handling a brand-new baby rather than just technical training. Her style is intentionally laid-back — she describes it as casual rather than formally posed — and she spends the first few minutes of every session just letting parents settle in before the camera comes out. Beyond newborns, her studio also handles children, families, and senior portraits, so many clients return to her year after year as their kids grow. She can be reached directly at 402-203-4382 for scheduling, and sessions are typically built around a baby’s natural sleep windows rather than a fixed appointment length. Amy leans on both studio lighting and natural light depending on what a family wants, and her portfolio favors warm, true-to-skin-tone editing over heavy filters. For Papillion families who want a photographer who treats a newborn session like a relationship rather than a transaction, her personal, kid-focused approach is a clear draw. 

Before turning her camera toward newborns, Danielle Montes served in the United States Air Force, and that same discipline now shows up in how carefully she plans every detail of a session before a family ever walks in the door. She is also a special-needs mother raising three autistic children, and her own experience with infertility and loss shapes a photography style built around authentic storytelling rather than posed perfection — her studio’s tagline, “Beyond Poses, Embracing Stories,” reflects that directly. Families from Papillion and across the Omaha metro book with her not just for newborn portraits but for milestone sessions that document a child’s changes month by month. Danielle tends to favor natural expressions and genuine interactions between parents and babies over rigid, catalog-style arrangements, and she’s known for connecting quickly with families navigating their own difficult journeys to parenthood. Sessions are unhurried, with plenty of time built in for a newborn to eat, settle, and sleep before posed portraits begin. Soft neutral wraps and simple wooden props dominate her portfolio, keeping the focus on the baby’s face and hands rather than elaborate sets. For parents who want their newborn photos to feel like a chapter of their real story instead of a stock template, her approach stands out in the Sarpy County market. 

A Bachelor’s Degree in Studio Arts from the University of Nebraska Omaha sits behind Kimberly Pecha’s newborn work, and it shows in how deliberately she builds a frame before she ever reaches for a prop. Photography has been part of her life since high school, and after having her own children she turned that lifelong interest into a full-time studio based in the Omaha area that regularly serves Papillion, La Vista, and greater Sarpy County families. Kimberly describes her newborn sessions as relaxing rather than rushed, and she times each appointment around feeding and settling a baby rather than forcing a schedule onto them. Her signature look mixes classic posed portraits with a touch of vintage styling, using furniture and wraps she has collected through years of antique shopping rather than mass-produced photography props. Family sessions booked alongside a newborn shoot tend to be lively, and she’s known locally for sessions described as full of laughter more than stiff posing. Every detail, from headbands to wooden bowls, is chosen to complement the baby rather than distract from them. Parents looking for portraits that feel more like heirlooms than trend pieces tend to gravitate toward her studio, and her Omaha-native roots mean she knows the area’s best light and backdrops well. 

Twelve years ago, Christine M. picked up a camera as a hobby and turned it into one of the most trusted newborn photography studios in the Omaha metro, including regular sessions for Papillion and Sarpy County families who don’t want to drive all the way downtown. Her studio walks new parents through swaddling, posing, and safety with the calm confidence that comes from a decade-plus of handling sleepy, squirmy infants. Sessions are built around the baby’s schedule rather than the clock, with breaks for feeding and soothing worked in as needed so nothing feels rushed. Christine keeps a rotating collection of neutral wraps, bonnets, and wooden props on hand, and she leans toward soft, editorial-style poses rather than heavily staged setups. Maternity and milestone add-ons are available for families who want a fuller record of the first year, and many Papillion clients book a maternity session with her first and return for the newborn shoot a few months later. Continuing education is a stated priority for her business, and she regularly attends workshops to refine lighting and posing technique. The result is a portfolio that leans warm and true-to-life, with an emphasis on the small details — eyelashes, fingers, the shape of a still-forming nose — that parents tend to forget how quickly change. 

Katrina Meyer’s path to becoming a Papillion, Nebraska wedding photographer wound through two very different parts of the country first. Originally from Northern California and a graduate of the University of California, Davis, she spent time building a wedding and portrait photography business in middle Georgia before eventually relocating to Nebraska, where she now works as a self-described luxury portrait and wedding photographer. That cross-country journey shows up in how she talks about her craft: ‘romantic, intimate, courageous’ is how she sums up her approach, and she describes photography itself as ‘a way to go back in time and relive moments and emotions that have passed.’ As a wife and mother of two, Katrina says she brings a personal, deeply-felt understanding of love and family to every wedding she photographs, treating each couple’s story as one worth celebrating rather than a transaction to complete. Her wedding gallery reflects years of accumulated experience across two very different regional photography markets, from softer Southern light to the Midwest’s dramatic seasonal backdrops. Being based directly in Papillion gives her hands-on familiarity with local wedding venues that out-of-town photographers have to learn from scratch. For couples who want a photographer whose portfolio and life experience both run deeper than a single market, Katrina Meyer Photography offers a distinctly personal perspective. 

Lacy Marie Arbaugh has run her namesake studio, Lacy Marie Photography, for thirteen years, building a client base across Omaha and the surrounding metro — including Papillion — on a simple creative philosophy: photography is storytelling first, technical perfection second. Her portfolio leans heavily candid, favoring genuine laughter and stolen glances between a couple over rigidly posed formal portraits, though she still delivers the traditional family and wedding-party shots most couples expect. Wedding pricing typically runs between $2,500 and $3,500 depending on coverage needs, and beyond weddings and elopements, Lacy Marie also shoots engagement sessions, family portraits, and senior photos — meaning many of her wedding clients first found her through a completely different type of session. As a sole proprietor, she handles client communication personally from first inquiry through final gallery delivery, a level of direct access some studios with larger teams can’t offer. Her portfolio spans real weddings booked well into 2025, evidence of a steady, ongoing client base rather than a studio coasting on older work. For Papillion couples who want a genuinely candid documentary style from a photographer with over a decade of hands-on experience — and who’d rather deal directly with the person actually holding the camera than a rotating studio team — Lacy Marie Photography is a strong local option. 

Lane Weddings has been photographing Omaha-area couples since 2006, two years before the studio physically relocated to Omaha and landed at its current home, Studio 108, on South 108th Street. Owner Lane earned Nebraska Photographer of the Year honors from the Associated Press early in his career for photojournalism work, and that eye for a decisive, unposed moment has defined his wedding photography ever since — the studio describes its style as ‘bold and beautiful imagery’ delivered with a relaxed, friend-like presence rather than a stiff vendor relationship. Two decades in, the accolades have piled up: Expertise.com named Lane Weddings among the Best Wedding Photographers in Omaha in 2021, Lux Life Magazine named him Nebraska’s Best Wedding Photographer in 2019, and Omaha Magazine handed the studio a Best of Omaha award for wedding photography that same year. His images have also been featured by outlets including TIME Magazine and The New York Times’ year-in-pictures features. Clients frequently mention his willingness to go well beyond the standard shot list — one review recalls him hiking up a mountain mid-shoot to get the image a couple wanted. For Papillion couples drawn to editorial-quality, photojournalistic wedding coverage from one of Omaha’s most decorated studios, twenty years of continuous operation speaks for itself. 

Before Savannah Grace ever photographed a wedding, she was on the sidelines at Nebraska Cornhusker games, shooting Division I athletes as a sports photojournalist for the University of Nebraska-Lincoln, with bylines running through the Omaha World-Herald and Lincoln Journal Star. That training in fast-moving, unscripted photography carried directly into her wedding work: Savannah built her Papillion-based studio around catching real, unposed reactions rather than orchestrating them, blending a high-end documentary aesthetic with what she describes as a ‘nostalgic’ feel — images meant to look and feel like memories the moment they’re taken. Clients consistently mention how comfortable she makes them in front of the camera, crediting her organizational skills for keeping wedding-party, family, and solo portraits moving quickly enough to still make it to cocktail hour on time. Savannah photographs both traditional weddings and elopements, and her journalism background shows in how she talks about the job — less as a vendor checking off a shot list, and more as someone documenting a story as it actually unfolds. Being based in Papillion itself, rather than commuting in from elsewhere in the Omaha metro, gives her a level of local familiarity with area venues that out-of-town photographers can’t match. For couples who value authentic emotion over stiff formality, and who want a photographer who genuinely lives in their community, Savannah Grace Photography has quickly built a five-star reputation. 

Amanda Pelley has spent the past twelve years building Pelley Creative into a Best of Omaha award-winning wedding studio, and one of her signature offerings — two professional photographers on every wedding package — reflects a simple philosophy: no single angle can capture an entire wedding day. Amanda explicitly lists Papillion alongside Omaha and Bellevue as core service areas, and her packages are structured in plain, escalating tiers rather than confusing add-on menus: Simple Sweethearts starts at $3,000 for six hours, Forever Yours at $3,500 for eight, and Endless Love at $4,000 for ten hours of coverage, each including a complimentary engagement session. Rather than treating a wedding as a formal photoshoot to survive, Amanda pitches herself as ‘a calm, organized presence’ whose goal is a joyful, guided experience — steering couples through poses without ever making the process feel stiff or awkward. Her site promises ‘unlimited communication leading up to your wedding,’ a detail that speaks to how much planning happens well before the ceremony itself. The studio’s tagline, ‘Your Photographer for Every Chapter,’ hints at a business built around long-term client relationships rather than one-off bookings, with engagement, family, and anniversary sessions often following the wedding day. For Papillion couples who want a locally-known, award-recognized studio with straightforward pricing, Pelley Creative has more than a decade of Omaha-metro weddings behind it. 

Bethany Inge likes to point out that the word ‘photography’ literally translates to ‘drawing with light’ — and after more than a decade behind the camera and 70-plus weddings documented across the Omaha area, she’s had plenty of practice doing exactly that. What client after client mentions in their reviews isn’t just the quality of her images but how invisible she manages to be on the actual wedding day; more than one couple has written that they never once noticed her working the room, yet somehow ended up with photos from angles they didn’t know were being covered. Bethany treats a wedding as a sacred gathering of two families rather than just an event to shoot, and says getting to know the people who matter most to a couple — not just the couple themselves — is part of what she loves about the job. Beyond weddings, she also shoots engagement sessions, family portraits, maternity, and senior photos, giving longtime clients a reason to keep booking her for milestones well beyond the wedding day itself. Enhanced wedding packages can include extra hours, a second shooter, destination travel, and multiple locations in a single session. For Papillion couples who want a photographer who blends into the background during the ceremony but delivers images that capture every reaction in the room, Bethany Inge Photography has more than a decade of proof that the approach works. 

Before Austin Martin ever picked up a camera professionally, he was a painter — and that fine-art instinct for composition and light still guides how he frames a wedding day eight years into running his own studio. Based in Omaha, Austin built his reputation on candid coverage rather than stiff, staged portraits, and describes his mission simply as making people feel good about how they’re seen through his lens. His wedding packages, starting at $800, are refreshingly straightforward: full-day coverage, full printing rights so couples aren’t boxed into ordering exclusively through him, a private online gallery, and a day-of assistant to help keep things running smoothly behind the scenes. Every package includes a complimentary engagement session as a warm-up for camera-shy couples, plus a custom timeline consultation so nothing about the wedding day photography schedule is left to chance. Austin also promises Instagram and Facebook posts within 24 hours of the wedding — a small touch that lets couples relive the excitement almost immediately rather than waiting weeks for a gallery. He’s built a small but consistently five-star reputation among Omaha-area couples, the kind of word-of-mouth growth that comes from actually delivering on a promise rather than marketing hype. For couples in Papillion looking for an artist’s eye without an artist’s price tag, Austin Martin Photography is worth a look. 

Long before she ever photographed a Nebraska wedding, Andrea Breci was studying photojournalism at the Brooks Institute of Photography in Santa Barbara, California — training that still shapes how she works today. She began photographing weddings professionally in 2009, launched her business formally in 2012, and in 2014 packed up her California studio and relocated to the Omaha area, eventually settling near Gretna. For years she operated as Green Feather Photography, building a base of Nebraska couples and racking up nearly two dozen reviews, before rebranding under her own name as Andrea Breci Photography to reflect the increasingly personal, hands-on nature of her work. Her photojournalism background means she treats a wedding day less like a series of posed setups and more like breaking news worth documenting carefully — the real laughter, the unplanned rain, the grandmother crying during vows. ‘If life is what we make it, let’s make it unforgettable’ isn’t just a slogan on her website; it’s the pitch she makes to every couple who hires her. She still photographs family sessions alongside weddings, but weddings and engagements across the greater Omaha metro, including Papillion, remain the core of her business. Couples looking for a documentary eye backed by more than fifteen years of professional experience continue to find her, now simply searching her name instead of her old studio brand. 

Ask Jennifer Mercier what she does before ever picking up a camera for a wedding, and she’ll tell you: she does her homework. Before a single shutter click, Jennifer and her associate photographer Sara dig into a couple’s story — how they met, inside jokes, the small details that make a relationship theirs — so the resulting images feel less like posed portraits and more like chapters of a book already in progress. That philosophy has earned Jennifer Mercier Photo Co. recognition through multiple wedding industry awards and a steady stream of five-star reviews from Omaha-area couples. The studio calls itself a team of ‘visual storytellers for the wildly in love,’ and leans into both the big, sweeping moments of a wedding day and the smaller, unscripted ones in between — a father’s hands shaking as he ties a boutonniere, a best man losing his composure mid-toast. Every wedding package comes with a full print release, meaning couples aren’t locked into ordering prints exclusively through the studio, and access to an online gallery for sharing images with family. For couples in Papillion and the greater Omaha metro who want a photographer invested in their actual relationship rather than a formulaic shot list, Jennifer Mercier Photo Co. has built a reputation worth the reviews behind it. 

When Andrea Bibeault picked up a camera in 2003, she didn’t set out to build one of Nebraska’s longest-running wedding photography studios — she set out to tell true stories. Two decades later, that instinct still drives every wedding she and her husband Ed cover across the Omaha metro, including Papillion. Working as a two-photographer team lets them catch a ceremony from both angles at once: the groom’s reaction and the bride’s entrance, the parents dabbing their eyes and the flower girl mid-giggle. Andrea describes the pair as ‘visual storytellers,’ and it shows in how their packages are built — eight to ten hours of coverage that produces anywhere from 900 to 1,400 finished images per wedding, delivered through a private online gallery couples can revisit for years. An engagement session comes standard with every package, giving nervous couples a low-stakes trial run in front of the camera before the big day. For those who want something to hold, Andrea offers custom-designed albums as an add-on rather than an upsell pressure tactic. What sets her apart after 23 years in the business isn’t flash — it’s consistency: couples looking for genuine, unposed emotion rather than stiff formal portraits keep finding their way to her door, often through referrals from past clients who trusted her with their own weddings.